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Alex Gamsu Jenkins. Below are the best songs of as chosen by the Noisey staff. Listen to them on Apple Music and Spotify. See also: The Best Albums of In American culture, we get drunk off of it—even when most of us have long passed that period in life. And from the fury with which he raps, you can tell his means every word of it. Tiffany paid tribute on this EP cut to the eye-glazing mundanity of dancefloor small-talk.

Over a woozy ambient-house track—with skittering hi-hats, tumbling drums, and featherlight pads—a dazed voice employs a few stock phrases: How are you?

Go ahead, treat yourself, you deserve it. Familiar in the grammars of different genres and languages: That glittering falsetto, those vivid, meticulously crafted hooks. That classic key change. The winking scatter of throwback references. And somehow, somehow , none of it feels too much. Rina has discovered the right formula. King Krule wails over the gritty drum and bass, conjuring up images of grimy trains running down subway tracks and blood coursing quickly through veins. At one point, he just screams unintelligibly.

If anyone in the UK is next up, Sam Wise is a good bet. To a lover, perhaps forbidden, Hadreas urges: Good call. Dripping with loss, hurt, and elusiveness, it also contains an element of hope. As one commenter on YouTube summarized: She sings of a back-and-forth, of banishment, but the guitar twang and deep, cheeky bassline suggests otherwise.

Since dance music is a largely instrumental genre, the best songs figure out how to get maximum impact out of just a few words.

The story goes that Kwaye played his music to an Uber driver in Los Angeles who, by chance, happened to have connections to the music industry and got him a record deal almost immediately. This track is the result of somebody with really good taste taking all their influences, spinning them into pure, neo-funk gold and pushing them face-first into the future.

Alvvays are very good at putting sound to fantasies, whether they are good moments or somber ones. But it also feels instantly familiar in both style and substance, regardless of when you grew up.

If you don't think Gucci Mane still has it then you're a whole-ass idiot, and this song would be evidence presented against you in court. This is vintage Gucci, but that being said, he's not the highlight. Few people can write a hook or rap like Jxmmi, so thank God Gucci had him do both.

Morby wrote the tune in , but he picked an apt year to finally put it out: Sometimes, you gotta cry, crybaby. One minute, 22 seconds. That's the exact mark in which "Provider," one of a few lovely loosies that Frank Ocean released in , goes from Good to Great—from a nice melody to something more weighty and transcendent.

The beat drops and it almost sounds like someone's leaned on the rewind button for a second, emptying into a sort of weightless beauty with silky keyboards orbiting Planet Frank. There's an Aphex Twin joke, a few stray raps, and a beautiful octave-jumping vocal run, but the short statement that kicks off this second reverie sticks in your brain throughout: From their Dunedin home, brothers Jeremy and Louis Potts produce brilliantly off-kilter slacker rock, crafted from GarageBand and accompanied by a video about creating your own fun.

If you find yourself looking for a soundtrack to wander the forest of southern New Zealand while painting faces on rocks and hanging out under bridges, this is it. Consider someone you love dealing with depression. Consider how insidious that sickness can be but that you love them no matter what because, ultimately, this is one part of who they are. Consider patience and kindness. At the end, Baker sings profoundly of strength, of coming out to see the light and wanting to stay. A common refrain in the weeks since his death was that Peep was supposed to be playing stadiums, sooner rather than later.

Songs like this that can be both comforting and moody are a rare gift. There was a period in the middle of the summer when it was nearly impossible to go anywhere without hearing this song—whether through car windows, DJ nights, or other commuter headphones—and it had the entire world feeling like New York City.

Both are also involved in country-rock act The Country Liners. The vocals of Robert Smith come to mind, but more if The Cure was a shoegaze band.

As she sings about fighting the ocean you can almost feel the Puget Sound mist floating by. Vile fills the track with his signature droning, a slow rolling wave that moves at a glacial pace. What makes both of these artists such good songwriters is how unafraid they are of leaving some space in a song, trusting the listener to understand the importance of a jam. On this endearingly low-key party anthem, it asserts itself as a laissez-faire philosophy—justification to live and let live, to drink and revel, and to get yourself five tables at hibachi when the mood hits.

Rot, the follow-up to their debut LP, has the group maturing, if only by a bit. Delicate, subtly complex, and belied by power—and when it brushes over you, it leaves your hair standing on end. Big mistake: You win some and lose some. This song still feels like a miracle. You have Calvin Harris, EDM majordomo, getting extremely "real music" on everyone's asses with warm keyboard tones, rubbery bass, and a mid-tempo gait that hits somewhere between Rihanna's "Desperado" and whatever song they dance to in groups at weddings now.

You have Migos, who at this point probably have done enough in to sound positively overexposed, running game all over Harris's low-humidity musical creation like a rabbit let loose on a football field.

And you have Frank Ocean—Frank Ocean! This guy almost never sounds good on other people's shit—or this good, at least—but he's hook-man supreme on "Slide," giving his glow to a truly communal song at a point in his career where he's worked best exploring the limits of solitude. It's great to talk about what makes "Slide" great, but you know what?

It feels even better to just listen to it. Summer is supposed to be a carefree time of vacations and sunshine, but this one was pretty brutal. Having a soundtrack for that makes the muck a little more palatable. In the most chaotic year in recent memory, there is nothing more calming than a smooth jam.

Mac Daddy and Mr. This song is on this list thanks to the line, "My side chick got pregnant by her main dude and I'm offended. Shooting a portion of the video inside a church was fitting decision, because the whole thing makes the often rocky ascent to fame sound like a religious experience. After being shot at, most people would try to stay off the radar for a bit.

Not Young Dolph though. Few artists have deserved a victory lap over the past few years as much as Bad Bunny. On the strength of a his knack for melody and few steely collaborations with some of the greatest working Spanish-language rappers and singers , his joyously ominous take on trap sounds has become wildly popular.

That it too quickly garnered over million plays is only proof that he was right to gloat. And anyone who's spent time in endlessly rewinding this strange wisp of a song knows that the extreme actions it's inspired are more than deserved: Melodrama is an odd album—even for an art-focused pop star like Lorde, never mind anyone else—and "The Louvre" is one of its weirdest moments.

Following the martial and comparatively straightforward "Homemade Dynamite," "The Louvre" starts with a palm-muted guitar who said those are dead? It's delayed gratification at its finest—only, the gratification arrives via the endless delay, with dusky 4AD-ish guitars ushering the whole thing out of the room.

You never know what you're gonna get from Lorde, and "The Louvre" is just one of many examples of why that's a very, very good thing. Baltimore is experiencing its deadliest year in two decades and because of that, being protected and nurtured by those closest to you is a means of survival. It's so much harder to write a love song about uncertainty than security. This jawn fucking rules, and with any luck, Devil Master will be haunting a town near you soon. Brockhampton, the only boy band that formed on the KanyeToThe forums, should certainly be one of them.

With an infectious hook and unique verses from members with developed and clear individual voices, the Saturation cut is everything your favorite boy band should be. The long-running Pittsburgh punks Anti-Flag have inspired multiple generations of young punks and metalheads to wake the fuck up and get political. The catchy, poppy tune eviscerates a litany of racist tropes and Trump-era right wing talking points, its singsong chorus daring you to disagree: For a bit of a test, try to guess if this colorful flex belongs to Flair or Offset:.

He talks himself up then sits himself back down. His flow is forced into fragments: But in context on DAMN. But instead of leaving it in the present, he paints a comprehensive picture of the repercussions of whitelash and the prison-industrial system to make sense of how we got here. How do you make a hit in ? Well, you win the hearts and minds of Twitter. Sorry, but could you design a song that sounds more like a vest and shorts?

No, you could not. This is the most putting-SPFon-your-legs song that has ever existed. It is perfect.

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